needle weaving

These needle weaving samples were for a module on Sue Stone’s course using different yarns/threads for both warp and weft and varying the spacing etc. Some samples are anchored to the fabric at top and bottom only.

This module took me back many years to when I was a student at the (then) Scottish College of Textiles in Galashiels, studying for a diploma in Textile Design and used a full-sized dobby loom to weave much larger pieces than these 5 x 5 cm samples. I can hardly remember why I chose to drop out halfway through the three year course but the reasons for doing so seemed extremely valid at the time and a regret I learned to live with. Much water has passed under the bridge since then but I’ve never forgotten how to do plain and twill weave.

more pouches

I just remembered that I hadn’t posted about the second batch of zippered pouches I made and I imagine you’ve all been desperate to see them (as if). I haven’t boxed the corners this time apart from the one that has “top” on one side and “bottom” on the other.

 

abracadabra…

… and behold, a wizard’s hat. Commissioned as a prop to display lapel badges. I inserted flexible curtain wire around the brim and padded the hat for stability. Two spotty stars were appliquéd but I could only get one in shot.

having fun with stitches

These two little portraits were for a drawing class in the online course, using back stitch or running stitch instead of pen or pencil. A photo is traced and the outline is stitched through the paper and the ground fabric with the paper gently torn away when all the stitching is completed. Tissue paper is more flexible than tracing paper and easier to stitch through but you have to ensure that your stitches are fairly tight. My first portrait using mainly running stitch wasn’t tight enough and I ended up with lots of raised stitches but I like the resultant shadow/loop effect in unexpected places. In the second portrait I used back stitch mainly and tightened the tension and the final look is different again. I was really surprised when my camera automatically recognised these as faces. If any family members recognise these two portraits I’ll be delighted!

 

Exploring texture and pattern 2

Since Sue Stone’s course (see my previous post) came online just over a week ago, I’ve hardly thought about anything else stitch-wise. So far I’ve made grid samples of running stitch, back stitch and mock herringbone stitch and I’ve never found it so difficult to sew a straight line of stitches as I have for these samples but that seems to be a common problem for more than a few of us doing this course so I don’t feel so bad.

Like millions of others, I’ve had a Facebook account for years but I could count on one hand the number of posts I’ve written. I rarely log-in and frequently consider deleting the account but as a member of the FB group set up for this course I now find myself happily checking-in several times a day to look at the images posted and to read how others have interpreted the challenges set or to empathise with the difficulties they’ve also found in accomplishing what at first glance appeared to be an easy task but wasn’t particularly.

I stuck the words of the stitched and painted fabric on the front of an A4 notebook which I’m using for notes and details about the samples I’ve made. The samples will later be made into a separate book. Each challenge asks questions at the end and I find these more difficult to answer than the practicalities of stitching. For example, “How might what you discovered in today’s creative challenge inform a piece of textile art?” I haven’t answered that one yet because I don’t do textile art (?) but it’s making me think, so that can only be good.

Here’s my running stitch sample so you can see what I mean about my non-straight stitching lines!

Exploring Texture and Pattern

I’ve been reading lots of articles on TextileArtist.org lately and some of the content really resonated with me – particularly this one! The website is run by Joe and Sam Pitcher whose mother is Sue Stone (Woman With a Fish) and after signing up for and watching Joe and Sam’s free video training sessions several times, I registered for Sue’s online course, Exploring Texture and Pattern. (Enrolment is possible until Friday 23rd June if you’re interested.)

Amongst other things, the course will involve making a stitch sample book so I thought I’d prepare the book cover fabric in advance. I used another of my rubbishy painted fabric pieces, wrote the course title with Inktense blocks, and outlined the letters with free machine stitching. The image makes the text look huge but it’s only roughly 14 cm (5.5 ins) square.

painting the roses final

I have stitched the last stitch, and Painting The Roses Red will now be put away until I get around to having it framed.